| # | 歌曲名称 | 艺术家 |
|---|---|---|
| 1 | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro | Berliner Barock Solisten |
| 2 | Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Berliner Barock Solisten |
| 3 | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Berliner Barock Solisten |
| 4 | Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto | Berliner Barock Solisten |
| 5 | Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro | Berliner Barock Solisten |
| 6 | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Berliner Barock Solisten |
| 7 | Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Berliner Barock Solisten |
| 8 | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro – II. Adagio | Berliner Barock Solisten |
| 9 | Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro | Berliner Barock Solisten |
| 10 | Ich liebe den Höchsten von ganzem Gemüte, BWV 174: I. Sinfonia | Berliner Barock Solisten |
| 11 | Am Abend aber desselbigen Sabbats, BWV 42: I. Sinfonia | Berliner Barock Solisten |
| 12 | Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro | Berliner Barock Solisten |
| 13 | Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Berliner Barock Solisten |
| 14 | Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Berliner Barock Solisten |
| 15 | Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro | Berliner Barock Solisten |
| 16 | Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Berliner Barock Solisten |
| 17 | Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro | Berliner Barock Solisten |
| 18 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. Allegro | Berliner Barock Solisten |
| 19 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Berliner Barock Solisten |
| 20 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Berliner Barock Solisten |
专辑中收录了六首巴赫《勃兰登堡协奏曲》，作为德国古典音乐的登峰造极之作，其中恢弘繁复、欢快活泼的乐章，无一不是对高超演奏技巧的华丽展示：有活泼的弦乐（第三号），有喧闹号角吹奏的民间舞曲（第一号），也有如今已经很难听到的高一小号（第二号）。在第五号协奏曲令人叹为观止的开场乐章中，你能听到小提琴与长笛一唱一和的合奏，如同一场意味深长的对话；大键琴的华彩乐段更是展现了出神入化的演奏技巧。乐曲中也不乏宁静优美的片段，比如第六号协奏曲中如梦似幻的柔板，在复杂的对位技巧中，融入了庄重典雅的气质，令人肃然起敬。
