# | 歌曲名称 | 艺术家 |
---|---|---|
1 | Little Symphony After Pictures of Roswitha Bitterlich I. The Madman | UCLA Philharmonia |
2 | Little Symphony After Pictures of Roswitha Bitterlich II. Poor Souls | UCLA Philharmonia |
3 | Little Symphony After Pictures of Roswitha Bitterlich III. The Wake | UCLA Philharmonia |
4 | Little Symphony After Pictures of Roswitha Bitterlich IV. Expulsion of the Saints | UCLA Philharmonia |
5 | November No. 1. All Souls | UCLA Philharmonia |
6 | November No. 2. Souvenir | UCLA Philharmonia |
7 | November No. 3. Rainy Day | UCLA Philharmonia |
8 | November No. 4. Dance of the Fallen Leaves | UCLA Philharmonia |
9 | November No. 5. Shepherd’s Melody | UCLA Philharmonia |
10 | November No. 6. Victory of Winter | UCLA Philharmonia |
11 | Concerto Grosso for Cello & Orchestra I. Pesante moderato | UCLA Philharmonia |
12 | Concerto Grosso for Cello & Orchestra II. Scherzo | UCLA Philharmonia |
13 | Concerto Grosso for Cello & Orchestra III. Theme and Variation | UCLA Philharmonia |
音乐总监Neal Stulberg指挥UCLA爱乐乐团,演奏了作曲家Eric Zeisl从未被录音的作品。有Zeisl在青年时期在维也纳时的创作,如体量并不小的交响曲Little Symphony: After Pictures of Roswitha Bitterlich (1935-36),和私密感很强的November: Six Sketches for Chamber Orchestra(1937-40)。而Zeisl在洛杉矶的成熟期作品,富有戏剧性的《大提琴与乐队大协奏曲》(Concerto Grosso for ‘Cello and Orchestra (1955-56)),是他的管弦乐作品中规模最大的。1935年,Zeisl参加了当时非常受欢迎的Roswitha Bitterlich画展,Roswitha当时是一个14岁的提洛尔小姑娘。年轻的作曲家被她的画作打动,满怀激情地写下了他一生中唯一的交响曲。Zeisl后来回忆道:“那些画,尤其是画背后的想法,真是一个巨大的刺激,我回家就开始根据这些想法作曲,完成曲子只花了……4天。”Bitterlich的画作,也就是本专辑的封面,“The Madman”,启发Zeisl写了交响曲的第一乐章。大提琴家Antonio Lysy,因为他在雅鲁发行的唱片Antonio Lysy at The Board:Music from Arentina获得了格莱美奖而为人们所知。他与Neal Stulberg指挥的UCLA爱乐乐团合作,录音地点是洛杉矶传奇性的Royce音乐厅。