# | 歌曲名称 | 艺术家 |
---|---|---|
1 | Udacrep Akubrad | Smoke and Mirrors Percussion Ensemble |
2 | Juego de Relojes (Game of Clocks) | Smoke and Mirrors Percussion Ensemble |
3 | Fuge aus der Geographie (arr. for percussions) | Smoke and Mirrors Percussion Ensemble |
4 | Through Psychosis: V. Watch me vanish, watch me? | Smoke and Mirrors Percussion Ensemble |
5 | All-night Vigil, Op. 37, “Vespers”: Call to Worship (arr. for percussion) | Smoke and Mirrors Percussion Ensemble |
6 | Catfish | Smoke and Mirrors Percussion Ensemble |
7 | All-night Vigil, Op. 37, “Vespers”: Bless the Lord, O my soul (arr. for percussion) | Smoke and Mirrors Percussion Ensemble |
8 | Book of Grooves: II. Colours of a Groove | Smoke and Mirrors Percussion Ensemble |
9 | Book of Grooves: IV. Dance Groove Drifting | Smoke and Mirrors Percussion Ensemble |
10 | From me flows what you call time | Smoke and Mirrors Percussion Ensemble |
11 | All-night Vigil, Op. 37, “Vespers”: Hail, O Virgin Mother (Ave Maria) (arr. for percussions) | Smoke and Mirrors Percussion Ensemble |
这是雅鲁唱片——极简主义新厂牌的一张惊艳的打击乐专辑。在一个广而深的声音空间里录制,将节奏与和声展现得淋漓尽致。“我们在两个音乐厅进行录制。在Ambassador音乐厅,我们首先录了武满彻(Takemitsu)的From Me Flows What You Call Time,由Gerard Schwarz指挥。而全球首次录音的Diego Shissi的Juego de Relojes,Alejandro Viñao的Book of Grooves,以及Derek Tywoniuk的watch me vanish, watch me,则录于科尔本学校(The Colburn School)的Zipper音乐厅。与执行制作人Sandy Pressman合作,我们使用了两支纽曼U47麦克风来录乐队,两支AKG C12来给武满彻作品中的木管和后方的打击乐增强一点音量,其他所有音轨,我们就用一支AKG C24立体声麦克风来录。”Bob Attiyeh, 制作人