| # | 歌曲名称 | 艺术家 |
|---|---|---|
| 1 | Symphony No. 1 in E Minor, Op. 39 I. Andante ma non troppo – Allegro energico | Leonard Bernstein |
| 2 | Symphony No. 1 in E Minor, Op. 39 II. Andante | Leonard Bernstein |
| 3 | Symphony No. 1 in E Minor, Op. 39 III. Scherzo – Allegro | Leonard Bernstein |
| 4 | Symphony No. 1 in E Minor, Op. 39 IV. Finale – Quasi una Fantasia | Leonard Bernstein |
| 5 | Luonnotar for Soprano and Orchestra, Op. 70 | Leonard Bernstein |
| 6 | Symphony No. 2 in D Major, Op. 43 I. Allegretto | Leonard Bernstein |
| 7 | Symphony No. 2 in D Major, Op. 43 II. Tempo andante ma rubato | Leonard Bernstein |
| 8 | Symphony No. 2 in D Major, Op. 43 III. Vivacissimo – Lento e suave | Leonard Bernstein |
| 9 | Symphony No. 2 in D Major, Op. 43 IV. Finale – Allegro moderato | Leonard Bernstein |
| 10 | Symphony No. 3 in C Major, Op. 52 I. Allegro moderato | Leonard Bernstein |
| 11 | Symphony No. 3 in C Major, Op. 52 II. Andantino con moto, quasi allegretto | Leonard Bernstein |
| 12 | Symphony No. 3 in C Major, Op. 52 III. Moderato – Allegro ma non tanto | Leonard Bernstein |
| 13 | Symphony No. 4 in A Minor, Op. 63 I. Tempo molto moderato, quasi adagio | Leonard Bernstein |
| 14 | Symphony No. 4 in A Minor, Op. 63 II. Allegro molto vivace | Leonard Bernstein |
| 15 | Symphony No. 4 in A Minor, Op. 63 III. Il tempo largo | Leonard Bernstein |
| 16 | Symphony No. 4 in A Minor, Op. 63 IV. Allegro | Leonard Bernstein |
| 17 | Symphony No. 5 in E-Flat Major, Op. 82 I. Molto moderato – Allegro moderato – Presto | Leonard Bernstein |
| 18 | Symphony No. 5 in E-Flat Major, Op. 82 II. Andante mosso, quasi allegretto | Leonard Bernstein |
| 19 | Symphony No. 5 in E-Flat Major, Op. 82 III. Allegro molto | Leonard Bernstein |
| 20 | Pohjola’s Daughter, Op. 49 | Leonard Bernstein |
| 21 | Symphony No. 6 in D Minor, Op. 104 I. Allegro molto moderato | Leonard Bernstein |
| 22 | Symphony No. 6 in D Minor, Op. 104 II. Allegretto moderato | Leonard Bernstein |
| 23 | Symphony No. 6 in D Minor, Op. 104 III. Poco vivace | Leonard Bernstein |
| 24 | Symphony No. 6 in D Minor, Op. 104 IV. Allegro molto | Leonard Bernstein |
| 25 | Symphony No. 7 in C Major, Op. 105 | Leonard Bernstein |
| 26 | Concerto in D Minor for Violin and Orchestra, Op. 47 I. Allegro moderato | Leonard Bernstein |
| 27 | Concerto in D Minor for Violin and Orchestra, Op. 47 II. Adagio di molto | Leonard Bernstein |
| 28 | Concerto in D Minor for Violin and Orchestra, Op. 47 III. Allegro, ma non tanto | Leonard Bernstein |
| 29 | Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26 I. Vorspiel – Allegro moderato | Leonard Bernstein |
| 30 | Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26 II. Adagio | Leonard Bernstein |
| 31 | Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26 III. Finale – Allegro energico | Leonard Bernstein |
| 32 | Peer Gynt Suite No. 1, Op. 46 I. Morning Mood | Leonard Bernstein |
| 33 | Peer Gynt Suite No. 1, Op. 46 II. The Death of Åse | Leonard Bernstein |
| 34 | Peer Gynt Suite No. 1, Op. 46 III. Anitra’s Dance | Leonard Bernstein |
| 35 | Peer Gynt Suite No. 1, Op. 46 IV. In the Hall of the Mountain King | Leonard Bernstein |
| 36 | Peer Gynt Suite No. 2, Op. 55 I. The Abduction of the Bride – Ingrid’s Lament | Leonard Bernstein |
| 37 | Peer Gynt Suite No. 2, Op. 55 II. Arabian Dance | Leonard Bernstein |
| 38 | Peer Gynt Suite No. 2, Op. 55 III. Peer Gynt’s Homecoming – Stormy Evening on the Sea | Leonard Bernstein |
| 39 | Peer Gynt Suite No. 2, Op. 55 IV. Solveig’s Song | Leonard Bernstein |
| 40 | Finlandia, Op. 26 | Leonard Bernstein |
| 41 | Valse Triste, Op. 44 | Leonard Bernstein |
| 42 | The Swan of Tuonela, Op. 22, No. 3 | Leonard Bernstein |
<西贝柳斯作品上架之际>作为芬兰最卓越的作曲家，西贝柳斯所创作的每首作品，都可以称得上是反映了森林与湖泊之国–芬兰的风土人情的北欧音乐的杰出代表。本张专辑收录了由哥伦比亚唱片公司录制，指挥家伯恩斯坦与纽约爱乐乐团合作的西贝柳斯的全部七首作品。 伯恩斯坦认为西贝柳斯足以与马勒并称为20世纪最重要的作曲家。这其中也深受其老师谢尔盖•库塞维茨基的影响。库塞维茨基在20世纪初期是著名的西贝柳斯作品的演奏家。自然，作为库塞维茨基的徒弟，伯恩斯坦也因而有许多接触西贝柳斯的机会，在他成为纽约爱乐乐团音乐总监之后，也屡次将西贝柳斯的曲目收入到音乐会中。 录制从1960年起一直持续到1970年，那正是伯恩斯坦在纽约爱乐乐团最为活跃的时期。 说起西贝柳斯的交响曲，第二交响曲和第五交响曲知名度最高也曾被多次演奏，但其他的作品也都可以称得上是杰作。对作品的喜好也因人而异，事实上有许多古典音乐迷认为，将一到四乐章无间断的统合在一起的第七交响曲是他们最为喜爱的。另外，也有人钟情于拥有细致音乐结构的简朴的第六交响曲，而我本人则钟爱欢快的第一交响曲，比较具有作曲家个人特质的第四交响曲，以及明快动感的由三个乐章构成的第三交响曲。就这样不知不觉中我听完了整张专辑。 除了交响曲之外，作为祖国赞歌非常有名的《芬兰颂》、歌颂神秘美感的《图翁内拉的天鹅》，以及在LP时代和极具影响力的法国小提琴家齐诺•弗兰切斯卡蒂一起合作的《小提琴协奏曲》也收录在本张专辑中。 音源方面，本张专辑是将索尼古典经典收藏的几十年前的多轨道原始模拟录音，重新经过母带处理成的全新44.1kHz/24bit Hi-Res版本，因而其声音的饱和度产生了飞跃性的提升。 在这漫漫的冬日长夜，不如让我们一起来聆听一下，正值壮年的伯恩斯坦怀着对北欧的思念，激情演奏出的宏大的西贝柳斯交响曲如何？ 主编 于2016年 北京附：专辑原始录音时间Symphony 1 – rec.1967Symphony 2 – rec.1966Symphony 3 – rec.1965Symphony 4 – rec.1966Symphony 5 – rec.1961Symphony 6 – rec.1967Symphony 7 – rec.1960Violin Concerto with Zino Francescatti – rec.1963Finlandia – rec.1965Pohjola's Daughter – rec.1964Swan of Tuonela – rec.1973Valse Triste – rec.1969Luonnotar Op.70 with Phyllis Curtin soprano – rec.1965
